Favourite Lens By The Numbers

I brought a lot of gear with me on my last trip. I wondered which, if any lenses would have been better left at home. Looking at my catalogue, here’s how many selects were captured with each of the lenses I brought:

  • XF10-24mm F4: 12
  • XF16-55mm F2.8 WR: 68
  • XF16mm F1.4 WR: 58
  • XF35mm F2 WR: 236
  • XF50-140mm F2.8 WR: 82
  • XF100-400mm F4.5-5.6 WR: 105


What follows is a brief analysis of each lens, as well as a small selection of images from each. Click for a larger view.

XF10-24mm F4

This is the lens I was closest to leaving behind, so I’m not surprised it’s the lens that came away with the fewest selects. Of those selects though, ¾ of them were captured at a focal length wider than any other lens I had with me. I suppose that’s sort of the point of having an ultra wide angle zoom, and I could have worked around not having it, but it’s interesting to me nonetheless.

If it was weather sealed,1 I would have brought only it, and left the XF16-55mm F2.8 WR behind. Let’s see if that would have been the right choice.

XF16-55mm F2.8 WR

41 of the 68 selects were within a couple millimetres of either widest or longest ends of the focal range, and of those, ¾ were zoomed in towards 55mm, suggesting my plan to leave it at home if the XF10-24mm F4 was weather sealed would not have been a good one. Sure, I could have covered the 50mm mark with the XF50-140mm F2.8 WR, but that’s a significantly larger lens, and one that I didn’t have much interest in hauling up to the top of Table Mountain, or hitting a family member in the face with in a small restaurant.

Is bringing an extra lens worth 68 decent photographs? I think so.

XF16mm F1.4 WR

Unfortunately, I didn’t get the opportunity to use the XF16mm F1.4 WR for astrophotography nearly as much as I had hoped. Nighttime on the game reserve was not a time to wander off without an escort. I did get one starry image I’m happy with at The Fernery, a remote lodge along the Garden Route.

Otherwise, the f/1.4 aperture came in really handy in places like the Cango Caves, Featherbed Nature Reserve, and dimly-lit restaurants. I opted for the 16mm prime over the XF16-55mm F2.8 WR when both were handy for landscapes as well. Such a great lens.

XF35mm F2 WR

No surprise here. With the X-T2 out, there will be little, if any reason for this lens to leave my X-Pro2. The overwhelming majority of my candid, documentary, and street photography was captured with the XF35mm F2 WR. I even nabbed a couple landscape panos and long exposures by just holding my 77mm neutral density filter flush against the front of the lens.

This is the lens I thought was my favourite, and data shows I was correct.

XF50-140mm F2.8 WR

Only about ⅓ of my animal selects came from the XF50-140mm F2.8 WR; 55 images or so. I would have expected a more even split, and I think if I were to visit another game reserve, I would spend more time in this focal range. I felt so compelled to get closer, but I would often realize and force myself to capture more of the environment. Closeups are great, but they can come from a zoo. Seeing animals in their nature habitat is what makes visiting game reserves so special.

The XF50-140mm F2.8 WR also came in handy for the odd portrait of family members, and even some far away landscapes along the Garden Route.

XF100-400mm F4.5-5.6 WR

This, along with the XF2X TC WR Teleconverter→ was essentially my animal lens. The reach it gets you compared to the XF50-140mm F2.8 WR can’t be overstated, and for the most part, I was perfectly happy to take a hit on ISO because of the smaller aperture in favour of the extra reach.

Of the 105 selects with this lens, just 4 were not of animals. This is a lens that would have no business in my bag for just about any other travel, but am I ever glad I had it with me. I can’t believe I had considered not bringing it. I’d have been doing a lot more cropping. Again though, I probably spent a little bit too much time zoomed right in. 59 of the selects are at 400mm.

Hit Rate

My average select percentage for the XF10-24mm F4, XF16-55mm F2.8 WR, and XF16mm F1.4 WR is in around 12-13%. The XF35mm F2 WR was a bit higher at 18%, and the two telephoto zooms were comically low at just over 3% for the XF50-140mm F2.8 WR, and barely over 2% for the XF100-400mm F4.5-5.6 WR.

Now, this is calculated using total number of frames, and does not account for bracketing, panos, or the fact that I was popping off 8 frames per second fairly regularly with the telephoto lenses mounted. With more practice anticipating the moment, restraint and just being a little less excited, I bet my hit rate would be higher with the telephoto zooms. This isn’t to say that upwards of 85% of my photos are crap either—at least I hope not—but 1,913 Picks with around 500 images to share out of 9,900 from a two week trip with a big family seems alright. Getting through those bursts took a lot of time though, and isn’t something I’d want to do often. It has me exploring Photo Mechanic again2 as Lightroom is just so slow at times.


For the most part, I feel pretty good about my gear choices. Looking at the selection of photos above, and excluding animals, I’m happiest with images from the primes. I probably should have left the XF10-24mm F4 at home, and likely will do next time I travel. 24mm is about as wide as I like going for the most part, and the XF16mm F1.4 WR is just awesome.

My typical travel camera and lens setup going forward will likely be and X-Pro2 with the XF35mm F2 WR permanently affixed, and an X-T2 with XF16mm F1.4 WR and XF90mm F2 WR.

Have a look at your own numbers. What lens do you find yourself gravitating towards? Is it actually the lens you get the highest “hit rate” from? Or are you constantly cropping to get to the composition you want? Your catalogue of photos is full of data you can learn from. See if your assumptions are correct.

  1. Have I said that too much? ↩︎
  2. But that interface, yikes. ↩︎

Firmware and App Updates


Fujifilm released a firmware update for the X-T2 a couple days ago. Here’s a plainer language version of the key fixes:

  1. Tethering support. There is a lot to parse here, and it sounds as though some of it preemptively addresses software that is yet to be released.
  2. Buttons and dials can now be locked during shooting.
  3. A fix for shutter speed info not displaying under specific settings.
  4. Overexposure when AF-C and Face Detection are selected.
  5. Fix for poor AF performance when using the XF8-135mm F3.5-5.6 WR at the telephoto end.
  6. This is a tough one. It sounds like the camera would freeze during menu selections for PC auto save.
  7. Fix for when using shoe-mounted flash and CH burst mode.
  8. Fix for Nissin i40 flash not firing.


An update to the Camera Remote app was released yesterday to address iOS 10 issues. The app was getting hammered in the reviews, last I checked. Hopefully this helps.

Really Right Stuff at B&H

If you’re a fan of quality camera support—and honestly, who isn’t?—you’ll be as pleased as I was to read that B&H Photo is now carrying Really Right Stuff gear.→ It’s mostly just tripods and one lonely Fluid Head from what I can tell so far, but hopefully they will soon carry the ballheads and plates too.

Full disclosure: As should be apparent, I am part of B&H’s affiliate program. That said, I’ve been recommending Really Right Stuff Gear since I started this website. Their gear has been great for me, and their customer support is top notch.

What I Learned on Safari

While I was posting a 3 part series of prepping for South Africa, I knew I’d be writing a follow up post about what I got right, and what I got wrong.

Here’s what I learned after three days, five game drives, a couple of nature walks, and many hours posted up in a “hide” near the watering hole while on “Safari” in Honeyguide’s Mantobeni Tented Safari Camp.1

Learning Curve

A lot of what follows only occurred to me after a couple of sessions of shooting. In truth, before getting my XF50-140mm F2.8 WR, the longest focal length I had used with any regularity was an 85mm on APS-C. I mostly use the 50-140mm in a studio setting, so outside of practicing in my backyard on squirrels and birds as much as possible, shooting with lenses this long was a fairly new experience. Even the act of finding an animal you’ve already seen with your eyes through a viewfinder at 200mm or higher can be tricky. In my limited time out in the bush, I got quite a bit better at it, but by no means am I proficient. I would need much more experience. You gotta start somewhere though, and the point is, if you’ve never done this kind of shooting before, get as much practice as possible, and expect a learning curve of your own.

Camera Bodies

The X-Pro2 faired well on the drives, and I could feel the performance boost it offers over previous bodies, but the X-T1 outclassed it in terms of operational capabilities. The tilt screen came in really handy at times when I wanted to rest the XF100-400mm F4.5-5.6 WR on my Safari Sack beanbag,→ which in turn was rested on an armrest at thigh height as I was seated. Often animals were relatively still, and I wanted to lock focus on them, glance down at the tilted LCD on occasion, and otherwise watch the animals “IRL” so to speak, and burst 8 frames per second when I caught or anticipated a good expression from the animal. This is another thing that takes practice, lest you find yourself with dozens or even hundreds of frames to wade through in post, like I did.

Two X-T2’s would have been the best of both camera worlds in this situation, and would be my ideal body configuration, were I to visit another game park in the near future. I really wish that camera had been available before I left.

I opted for the battery grip on the X-T1, and would do with X-T2s as well. Not only was the grip convenient from a handling perspective, the extra battery gave me confidence I wouldn’t run out of power on a drive. As it turns out, I was overly cautious here.


On my first drive, I brought my X-T1 with vertical grip and XF100-400mm F4.5-5.6 WR attached, and my X-Pro2 with XF16-55mm F2.8 WR attached. I figured this would be the right balance of coverage for my first time out to assess future drives.

What I found was the standard zoom was of almost no value, despite our driver getting us remarkably close to the animals. I don’t think I took a single frame with it that wasn’t zoomed in towards the top end of its focal range. Since that is covered by the XF50-140mm F2.8 WR, I knew I’d be swapping the XF16-55mm F2.8 WR for it on the next drive.

I didn’t even think about changing lenses during my game drives. I would have just been asking for a ton of dust on my sensor. I would recommend against lens changes.


Given I had considered not even bringing the XF100-400mm F4.5-5.6 WR, I decided to do the first drive without the 2× teleconverter. Reports indicate there is at least a bit of an optical penalty with the 2× teleconverter, and I’ve noticed that as well,2 but on our first drive, we were lucky enough to catch a pair of leopard cubs that I really wanted to get closer to.

From that drive on, my camera setup was the X-T1 with 2× teleconverter and XF100-400mm F4.5-5.6 WR, and the X-Pro2 with XF50-140mm F2.8 WR.


If you’re judicious about turning your camera off when not in use, one battery per camera should get you through a 3 hour game drive just fine. I have no idea if that’s a standard duration, but the time of the drives seemed to work for capturing animals when they were active, and the best light of the day. After a drive, I’d get two batteries charging in this Watson Duo Battery Charger,→3 which I highly recommend. It’s a little bigger than I’d like, and I brought two Fuji chargers as backup, but it worked flawlessly, showed me how much charge my batteries had, and charged them up really quickly. You can even buy replacement plates for it and charge, say, an X-Pro2 and X100T battery at the same time. I travelled with a total of seven batteries, but I could have done the trip quite easily with five.


All those beanbag recommendations you’ve read are spot on. I bought a Safari Sack before I left, and it was indispensable.

My Really Right Stuff Safari Clamp saw some use on the drives, especially during the time I needed to get higher than the beanbag would allow, and holding a camera with the XF100-400mm F4.5-5.6 WR attached would get tiring. It turned out to be more useful at other times, like when my tripod was temporarily confiscated before getting on the boat to Robben Island. I would have been really bummed if I wasn’t able to capture a pano of Cape Town from the island, and there were plenty of railings near the water for me to clamp onto.

Cape Town and Table Mountain as seen from Robben Island

I was looking into a monopod as Thom Hogan suggests before my trip, but truthfully, I can’t think of a time when it would have worked much better than what I had, and it probably would have got in the way. Perhaps I could have extended it fully with it planted on the ground and hung out the side of the vehicle a bit more, but often things happened so fast there was barely time to “set up.” I was tossing my beanbag from one place to another, and at times forgoing it altogether to snap a frame before more active animals moved again. Plus, we were to remain seated during the drives, as the vehicle changing shape can (allegedly) alert the animals, and we had a canopy over us anyhow; two good reasons not to stand during the drive. In other parks, it seems you stand up, and in those instances, a monopod might be just the ticket. Depending on where I go, I may have one by the time I head back to Africa.

The repacement EC-XT-L Eye Cup→ for the X-T1 helped a lot in the bright sun. This isn’t something X-T2 users need to be concerned about, but if you are bringing an X-T1 or two, I would highly recommend buying a couple of these.


As mentioned, you’d be nuts to have your sensor exposed during a game drive, but when we stopped for our mid-drive coffee/wine break, I would have been totally fine with a non-dust-resistant camera like an X70. I ended up using my iPhone for this, which was fine, but it’s not the same. I’m’ still not sure it would be worth hauling a second set of batteries/chargers, but worth considering. If a camera is in your bag, it won’t get affected by the elements.


I’d love for Fuji to release a 300mm or 400mm f/2.8 or faster WR lens that matches the optical quality of the XF90mm F2 WR. The XF100-400mm F4.5-5.6 WR is a superbly versatile lens, and is optically decent, but a fast prime would allow for lower ISOs on top of presumably being much sharper.


Apart from wanting a faster, sharper exotic lens and wishing the X-T2 had been released a little bit earlier, I don’t feel as though I was let down by my equipment in any way while on Safari. It was my own technique, and luck of the animal draw that had the biggest impact on my photographs. I may write a subsequent post detailing my learnings from such a big trip overall; what gear I used most, what, if anything, could I have left behind, etc.

As for the Safari experience itself, it was absolutely incredible, and something you really should try to do at least once if you have the means. Africa wasn’t even on our radar as a travel destination before this opportunity presented itself, and we couldn’t be happier it did. I don’t have a particularly large frame of reference, but family members who have been to a variety of game parks agreed that Honeyguide are a fantastic company. If you happen to visit, Fanuel is an extraordinary driver who will do absolutely everything he can to get you close to the animals in a way that still respects their wellbeing.

About the Image

X-T1 + XF100-400mm F4.5-5.6 WR at 280mm
XF 2× TC
1/500 sec. at f/5.2, ISO 500

I chose this image of a female from a series of images because this one appears particularly wise; a fitting trait for a post about learnings. We were able to get incredibly close to about 5 female lions who were all mostly lounging around. This profile is from when one raised her head to give us a smell.

I started with a RAF in this case, despite working with a pre-X-Trans III. Sharpness wasn’t my primary goal here, and I wanted as much information as possible to run the image through Silver Efex Pro.4 I’m quite pleased with the result.

  1. Footnote review: You can’t go wrong with Honeyguide Tented Safari Camps. The lodgings were fantastic, the food sublime, and the animals plentiful. During our stay, trucks saw “the big five” in a single outing multiple times. Your mileage will vary, of course, but we were pretty fortunate, and I hope to return to that park one day. ↩︎
  2. Where I’m seeing it worst in reviewing my images is when focused at infinity on objects that are very far away, perhaps a kilometre or more. Closer subjects appear to be rendered sharper, but I’ll report back after further review. ↩︎
  3. Another product I plan to do a review on, but what I’ll say now is if you have an X100 or X70 along with your interchangeable lens Fuji camera, you can just buy a set of NP-95 plates along with the WP-126 Duo charger, and you’re good to go. I even had one of each batter charging ok in mine. Great stuff. ↩︎
  4. Still sad Google bought and abandoned the Nik Collection of software, but at least it’s free for as long as it runs. ↩︎

Back in Action

It’s been a while. Too long. A variety of things contributed to my extended absence. The biggest was an unexpected move from one end of the city to the other. This consumed significantly more time than I expected, and I’m still not quite finished yet. In order to secure the new house, we accepted a very long close at the end of June 2017. That said, the crazy parts of finding a house, buying it, staging our current house, selling it, then finding a place to rent for six months have all been taken care of, so I should be able to get back to some sense of normalcy. Plus, both the rental property and the new house will have a dedicated studio space (as opposed to the corner of the basement I currently work in) and that should hasten my ability to test gear and produce content substantially. I am very excited about this.

The other issue is backorders. I still don’t have my copy of the X-T2 and XF23mm F2. I had the opportunity to try the X-T2 a few months back, and used it a fair bit, but not enough for me to feel comfortable doing one of my typical handling reviews. That, and a comparison of Fuji’s 23mm offerings will come as soon as possible.

Finally, the move put a severe damper on my ability to get through the photos from my trip, and get that photographic workflow I mentioned sorted, I’m only now getting through both of those things. I’ve been eager to share images from my trip, and will do so soon.

Man, it’s good to be writing again.

About the Image 1

X-T1 + XF10-24mm F4 at 10mm
10-stop ND filter
30 sec. at f/8, ISO 200
Really Right Stuff TQC-14 tripod, BH-30 Compact Ballhead, and L-Plate

This is image was captured a little over two years ago right near where I will soon be living. Torontonians will likely recognize it immediately.

The 10-stop neutral density filter resulted a huge amount of vignetting that I think adds to the image, as well as a warmish colour cast that B+W ND filters are known (notorious?) for. I’ve since switched to Breakthrough Photography for all my neutral density needs. I knocked the blacks down to emphasize the falloff and mood, bumped the Clarity and Vibrance a little in the sky, and removed some of the larger distracting pebbles in Photoshop.

I chose JPEG as my starting point on this image, having captured both JPEG and RAF. I still can’t get acceptably sharp images out of Lightroom when processing X-Trans II and earlier RAFs. When I shot this, I was still testing out the in-camera Sharpness settings, and had them set to high then, resulting in some sharpening halos around the fine detail. Fortunately, downsampling the image for the site all but reduces the halos significantly, as seen on the retina display. Moral of that story, I wouldn’t advise shooting beyond the default sharpness settings on JPEGs you have any intention of doing post work on.

Aesthetically, I like how the swirling in the clouds, the lines of the boats and the dock, and the elliptical inlet work together, and the wide angle works with the pebbly sand to draw the eye to the Lifeguard Station.

  1. One sensible piece of constructive criticism I once received about this site was that I don’t include enough actual photos captured by the equipment I review on a technical level. It’s a fair criticism. My intention was always to include more example photos in the reviews of lenses, but I have fallen short on getting those review posted.

    This image is the start of my attempt to add more example images that will hopefully be mostly relevant to the written content, with a quick blurb on how it was created. Please don’t hesitate if this is something you’d like to see more or less of.

How I Packed for South Africa

Note: This post has been written over the course of a week, and partially during my trip with spotty access to WiFi, so it is not as clear or concise as I’d like.

I thought I was way ahead of the game, and that I’d have lots of time to get a few more prepping posts online, but busy times at work and in life resulted in my trip sneaking up on me.

As I sit in Schiphol airport waiting to connect to Johannesburg, I’m left with nothing but time to reflect and write about how things turned out.

There’s been some pretty big shifts in my packing strategy since I last wrote about it, so I’ll try to do a decent summary.

Think Tank Airport Essentials

My Think Tank Airport Essentials arrived a few weeks ago. This bag has supplanted my Incase “DSLR” Pro Pack as my daily backpack for carrying my work essentials and some camera gear to work and home every day. I love it.

Unfortunately, despite my best efforts, there was no hope it was going to be enough bag for my entire trip, largely due to the longer telephoto lenses I felt obligated to bring. The amount of stuff I can get in this bag is incredible, and without those zooms,1 I could easily do two weeks of travel out of the Airport Essentials.

Baggage Claim

I sort of felt like I was failing here, but my wife and I resigned ourselves to having to check a bag each this time around.2 The varied South African climate we expect to face combined with family events we have planned means we need a lot more clothes than we’d typically pack.

Given the unique nature of this travel experience, and that we shouldn’t need to worry too much about moving our bags around,3 it makes sense to optimize for more gear, and that means another bag.

Briggs and Riley

As much as I wanted to tell myself that my Osprey Farpoint 55 S/M would be the last bag I ever needed, there is sure to be other travel occasions where carry-on-only will be less than ideal. Patagonia and New Zealand spring to mind. So I started looking into what an optimal piece if luggage would be. I wanted to stick to carry-on size regardless for when I might travel with just a carry-on, and a backpack wouldn’t work. The Wirecutter has a pretty great breakdown of carry-on luggage. They pick the Travelpro Platinum Magna2 22" bag,→ but in my local currency, their “upgrade,” the Briggs and Riley Baseline International,→ is about the same price, making it the sensible purchase.

I might do up a more in-depth review of this bag as it relates to travel/adventure photography one of these days, but having packed and unpacked it a number of times already, I can say the quality is excellent, and the compression system is everything it’s made out to be.

Back to Camera Stuff

With my Think Tank bag freed from having to accommodate clothing, I found myself with much more space available for gear. I decided to give myself permission to really gear up for this trip. That means both the XF 50-140mm f/2.8 and XF 100-400mm f/4.5-5.6 have come with me, along with the 2× teleconverter to get me as close as Fujily possible to the indigenous fauna. Since I had the space, I decided to chuck the XF 10-24mm f/4 in for good wide measure.

It’s Heavy

My camera gear selection is as follows:


  • X-Pro2
  • X-T1 with vertical grip


  • XF 10-24mm f/4
  • XF 16-55mm f/2.8 WR
  • XF 50-140mm f/2.8 WR
  • XF 100-400mm f/4.5-5.6 WR
  • XF 16mm f/1.4 WR
  • XF 35mm f/2 WR
  • XF 2X TC Teleconverter WR
  • Extension Tubes for flora


  • Really Right Stuff TQC-14
  • Really Right Stuff Safari Clamp
  • Really Right Stuff Pocket Pod
  • Safari Sack Beanbag


  • Thee batteries loaded, four spares in Velcro wallet
  • 6 × 64GB SD cards in card wallet with clip
  • Head lamp
  • Circular Polarizer and Neutral Density Filters
  • Filter wrench

I haven’t carried this much photographic equipment since the first time I travelled with my D300, when I though it was a good idea to bring everything I owned.4 For such a big trip that has so many different photographic opportunities, it made sense to err on the side of too much, rather than too little.

Perhaps I could have gotten away with leaving the XF 16-55mm f/2.8 WR or XF 10-24mm f/4 at home, but I have used both already, and you’ll note that one lonely lens is missing those two magical initials, “WR.”

My South African family has let me know that, despite the current drought, Cape Town can be quite rainy. This is a place I’m going to want to do some landscape photos. Sure I could get by with my XF 16mm f/1.4 WR, but if I can get myself the flexibility of a zoom lens, I figure I might as well. And that way, if we do find ourselves in heavy rain, I can keep lenses on bodies and not worry about having to change them. Once again, that lack of WR on the XF 10-24mm f/4 is hurting me. Had the 10-24mm been weather sealed, I would have only brought it and not the 16-55mm.

Had I been packing “normally,” three of those lenses and the teleconverter wouldn’t have even seen my bag, but there’s a good chance I won’t be back to South Africa for quite some time, if ever, and since we’re being driven around, I have the luxury of leaving what I don’t need in my hotel room, or on the bus. More often than not, I’m carrying my Billingham Hadley Small.

Additionally, if this was exclusively a “Safari” vacation, at least two lenses could be left out, and maybe even the tripod, depending on the camp.


I decided to keep my green Artisan & Artist strap on my X-Pro2, and affixed the replacement Loop 3 the guys at LumaLabs were kind enough to send after my first one frayed. The Loop is a strap I typically only use during extended periods of shooting like on vacation—for which it is outstanding—so this is a perfect opportunity to double check the strap durability. I’ll update the review post, but so far so good.

Memory Cards

Lexar is sorta scummy when it comes to the transfer speeds they list on their cards. They like to list a really fast read speed, which, when it comes to continuous shooting, is much less important. The write speeds are always much slower until you get up to their 2,000× cards, which are twice as expensive as their 1,000× cards.

Sandisk, on the other hand, has much closer figures for both read and write. The Extreme PRO cards → that I went with have a listed read speed of 95 MB/s, and a write speed of 90 MB/s. I’ve hit the ceiling on the write speed quite a few times, but not enough for me to worry about spending the money for faster cards, and I've been perfectly content to just switch cameras for a different perspective while the buffer clears on the other. I went for 64GB cards, six in total along with a bunch of older, slower 32GB cards as backup. I seriously doubt I’ll touch those though.


Your attire can often be almost as important as what camera you have. If you’re not comfortable due to the elements, sore feet, or an aching back, you’re much less likely to want to shoot. Quality footwear, and clothing that can keep you comfortable in a broad range of climates are invaluable. My wife and I have a bunch of merino wool clothing, largely from Icebreaker, → which has kept us warm in the frigid winter mornings without getting too hot too fast after the sun comes up.

Another major advantage of merino is it can be worn for days without smelling. This might not sound appealing from a hygiene perspective, but it’s been really nice pulling on a pair of pants or a hoody after sitting around a fire without it reeking of smoke.

In Closing

Well, this post has been in a constant state of revision, from past to present tense, before using any of my equipment to being done nearly all our game drives. I’ll be sure to write more about what I learned from my first safari experience. I hope it won’t be my last.

  1. Under almost all other circumstances, the XF 90mm f/2 WR is the longest, in terms of focal length and physical dimensions, I would typically bring when travelling. ↩︎
  2. A couple years ago, I bought an Osprey Farpoint 55 to use as my only carry-on luggage. This worked great, and I was so happy to not have a wheeled bag to drag behind me over cobblestones in Europe. The key difference there is my X-T1 and XF 10-24mm f/4 was the largest camera combination I had.

    I considered employing the same strategy this time around, but adding in the potential of two large zooms means my camera bag would have consumed almost the entire capacity of the Osprey, making it impossible. ↩︎

  3. We’ve hired a bus to move all 26 of us from place to place. ↩︎
  4. It’s not. Photography kit selection is like design, make it as simple as possible, and no simpler. ↩︎