What I Learned on Safari

While I was posting a 3 part series of prepping for South Africa, I knew I’d be writing a follow up post about what I got right, and what I got wrong.

Here’s what I learned after three days, five game drives, a couple of nature walks, and many hours posted up in a “hide” near the watering hole while on “Safari” in Honeyguide’s Mantobeni Tented Safari Camp.1

Learning Curve

A lot of what follows only occurred to me after a couple sessions of shooting. In truth, before getting my XF 50-140mm F2.8 WR, the longest focal length I had used with any regularity was an 85mm on APS-C. I mostly use the XF 50-140mm F2.8 WR in a studio setting, so outside of practicing in my backyard on squirrels and birds as much as possible, shooting with lenses this long was a fairly new experience. Even the act of finding an animal you’ve seen with your eyes through a viewfinder at 200mm or higher can be tricky. In my limited time out in the bush, I got quite a bit better at it, but by no means am I proficient. I would need much more experience. You gotta start somewhere though, and the point is, if you’ve never done this kind of shooting before, get as much practice as possible, and expect a learning curve of your own.

Camera Bodies

The X-Pro2 faired well on the drives, and I could feel the performance boost it offers over previous bodies, but the X-T1 outclassed it in terms of operational capabilities. The tilt screen came in really handy at times when I wanted to rest the XF 100-400mm F4.5-5.6 WR on my Safari Sack beanbag,→ which in turn was rested on an armrest at thigh height as I was seated. Often animals were relatively still, and I wanted to lock focus on them, glance down at the tilted LCD on occasion, and otherwise watch the animals “IRL” so to speak, and burst 8 frames per second when I caught or anticipated a good expression from the animal. This is another thing that takes practice, lest you find yourself with dozens or even hundreds of frames to wade through in post, like I did.

Two X-T2’s would have been the best of both camera worlds in this situation, and would be my ideal body configuration, were I to visit another game park in the near future. I really wish that camera had been available before I left.

I opted for the battery grip on the X-T1, and would do with X-T2s as well. Not only was the grip convenient from a handling perspective, the extra battery gave me confidence I wouldn’t run out of power on a drive. As it turns out, I was overly cautious here.


On my first drive, I brought my X-T1 with vertical grip and XF 100-400mm F4.5-5.6 WR attached, and my X-Pro2 with XF 16-55mm F2.8 WR attached. I figured this would be the right balance of coverage for my first time out to assess future drives.

What I found was the standard zoom was of almost no value, despite our driver getting us remarkably close to the animals. I don’t think I took a single frame with it that wasn’t zoomed in towards the top end of its focal range. Since that is covered by the XF 50-140mm F2.8 WR, I knew I’d be swapping the standard zoom for it on the next drive.

I didn’t even think about changing lenses during my game drives. I would have just been asking for a ton of dust on my sensor. I would recommend against lens changes.


Given I had considered not even bringing the XF 100-400mm F4.5-5.6 WR, I decided to do the first drive without the 2× teleconverter. Reports indicate there is at least a bit of an optical penalty with the 2× teleconverter, and I’ve noticed that as well,2 but on our first drive, we were lucky enough to catch a pair of leopard cubs that I really wanted to get closer to.

From that drive on, my camera setup was the X-T1 with 2× teleconverter and XF 100-400mm F4.5-5.6 WR, and the X-Pro2 with XF 50-140mm F2.8 WR.


If you’re judicious about turning your camera off when not in use, one battery per camera should get you through a 3 hour game drive just fine. I have no idea if that’s a standard duration, but the time of the drives seemed to work for capturing animals when they were active, and the best light of the day. After a drive, I’d get two batteries charging in this Watson Duo Battery Charger,→3 which I highly recommend. It’s a little bigger than I’d like, and I brought two Fuji chargers as backup, but it worked flawlessly, showed me how much charge my batteries had, and charged them up really quickly. You can even buy replacement plates for it and charge, say, an X-Pro2 and X100T battery at the same time. I travelled with a total of seven batteries, but I could have done the trip quite easily with five.


All those beanbag recommendations you’ve read are spot on. I bought a Safari Sack before I left, and it was indispensable.

My Really Right Stuff Safari Clamp saw some use on the drives, especially during the time I needed to get higher than the beanbag would allow, and holding a camera with the XF 100-400mm F4.5-5.6 WR attached would get tiring. It turned out to be more useful at other times, like when my tripod was temporarily confiscated before getting on the boat to Robben Island. I would have been really bummed if I wasn’t able to capture a pano of Cape Town from the island, and there were plenty of railings near the water for me to clamp onto.

Cape Town and Table Mountain as seen from Robben Island

I was looking into a monopod as Thom Hogan suggests before my trip, but truthfully, I can’t think of a time when it would have worked much better than what I had, and it probably would have got in the way. Perhaps I could have extended it fully with it planted on the ground and hung out the side of the vehicle a bit more, but often things happened so fast there was barely time to “set up.” I was tossing my beanbag from one place to another, and at times forgoing it altogether to snap a frame before more active animals moved again. Plus, we were to remain seated during the drives, as the vehicle changing shape can (allegedly) alert the animals, and we had a canopy over us anyhow; two good reasons not to stand during the drive. In other parks, it seems you stand up, and in those instances, a monopod might be just the ticket. Depending on where I go, I may have one by the time I head back to Africa.

The repacement EC-XT-L Eye Cup→ for the X-T1 helped a lot in the bright sun. This isn’t something X-T2 users need to be concerned about, but if you are bringing an X-T1 or two, I would highly recommend buying a couple of these.


As mentioned, you’d be nuts to have your sensor exposed during a game drive, but when we stopped for our mid-drive coffee/wine break, I would have been totally fine with a non-dust-resistant camera like an X70. I ended up using my iPhone for this, which was fine, but it’s not the same. I’m still not sure it would be worth hauling a second set of batteries/chargers, but worth considering. If a camera is in your bag, it won’t get affected by the elements.


I’d love for Fuji to release a 300mm or 400mm f/2.8 or faster WR lens that matches the optical quality of the XF 90mm F2 WR. The XF 100-400mm F4.5-5.6 WR is a superbly versatile lens, and is optically decent, but a fast prime would allow for lower ISOs on top of presumably being much sharper.


Apart from wanting a faster, sharper exotic lens and wishing the X-T2 had been released a little bit earlier, I don’t feel as though I was let down by my equipment in any way while on Safari. It was my own technique, and luck of the animal draw that had the biggest impact on my photographs. I may write a subsequent post detailing my learnings from such a big trip overall; what gear I used most, what, if anything, could I have left behind, etc.

As for the Safari experience itself, it was absolutely incredible, and something you really should try to do at least once if you have the means. Africa wasn’t even on our radar as a travel destination before this opportunity presented itself, and we couldn’t be happier it did. I don’t have a particularly large frame of reference, but family members who have been to a variety of game parks agreed that Honeyguide are a fantastic company. If you happen to visit, Fanuel is an extraordinary driver who will do absolutely everything he can to get you close to the animals in a way that still respects their wellbeing.

About the Image

X-T1 + XF 100-400mm F4.5-5.6 WR at 280mm
XF 2× TC
1/500 sec. at f/5.2, ISO 500

I chose this image of a female from a series of images because this one appears particularly wise; a fitting trait for a post about learnings. We were able to get incredibly close to about 5 female lions who were all mostly lounging around. This profile is from when one raised her head to give us a smell.

I started with a RAF in this case, despite working with a pre-X-Trans III. Sharpness wasn’t my primary goal here, and I wanted as much information as possible to run the image through Silver Efex Pro.4 I’m quite pleased with the result.

  1. Footnote review: You can’t go wrong with Honeyguide Tented Safari Camps. The lodgings were fantastic, the food sublime, and the animals plentiful. During our stay, trucks saw “the big five” in a single outing multiple times. Your mileage will vary, of course, but we were pretty fortunate, and I hope to return to that park one day. ↩︎
  2. Where I’m seeing it worst in reviewing my images is when focused at infinity on objects that are very far away, perhaps a kilometre or more. Closer subjects appear to be rendered sharper, but I’ll report back after further review. ↩︎
  3. Another product I plan to do a review on, but what I’ll say now is if you have an X100 or X70 along with your interchangeable lens Fuji camera, you can just buy a set of NP-95 plates along with the WP-126 Duo charger, and you’re good to go. I even had one of each batter charging ok in mine. Great stuff. ↩︎
  4. Still sad Google bought and abandoned the Nik Collection of software, but at least it’s free for as long as it runs. ↩︎

How I Packed for South Africa

Note: This post has been written over the course of a week, and partially during my trip with spotty access to WiFi, so it is not as clear or concise as I’d like.

I thought I was way ahead of the game, and that I’d have lots of time to get a few more prepping posts online, but busy times at work and in life resulted in my trip sneaking up on me.

As I sit in Schiphol airport waiting to connect to Johannesburg, I’m left with nothing but time to reflect and write about how things turned out. There’s been some pretty big shifts in my packing strategy since I last wrote about it, so I’ll try to do a decent summary.

Think Tank Airport Essentials

My Think Tank Airport Essentials arrived a few weeks ago. This bag has supplanted my Incase “DSLR” Pro Pack as my daily backpack for carrying my work essentials and some camera gear to work and home every day. I love it.

Unfortunately, despite my best efforts, there was no hope it was going to be enough bag for my entire trip, largely due to the longer telephoto lenses I felt obligated to bring. The amount of stuff I can get in this bag is incredible, and without those zooms,1 I could easily get two weeks of travel out of the Airport Essentials.

Baggage Claim

I sort of felt like I was failing here, but my wife and I resigned ourselves to having to check a bag each this time around.2 The varied South African climate we expect to face combined with family events we have planned means we need a lot more clothes than we’d typically pack.

Given the unique nature of this travel experience, and that we shouldn’t need to worry too much about moving our bags around,3 it makes sense to optimize for more gear, and that means another bag.

Briggs and Riley

As much as I wanted to tell myself that my Osprey Farpoint 55 S/M would be the last bag I ever needed, there is sure to be other travel occasions where carry-on-only will be less than ideal. Patagonia and New Zealand spring to mind. So I started looking into what an optimal piece if luggage would be. I wanted to stick to carry-on size regardless for when I might travel with just a carry-on, and a backpack wouldn’t work. The Wirecutter has a pretty great breakdown of carry-on luggage. They pick the Travelpro Platinum Magna2 22" bag,→ but in my local currency, their “upgrade,” the Briggs and Riley Baseline International,→ is about the same price, making it the sensible purchase.

I might do up a more in-depth review of this bag as it relates to travel/adventure photography one of these days, but having packed and unpacked it a number of times already, I can say the quality is excellent, and the compression system is everything it’s made out to be.

Back to Camera Stuff

With my Think Tank bag freed from having to accommodate clothing, I found myself with much more space available for gear. I decided to give myself permission to really gear up for this trip. That means both the XF 50-140mm F2.8 WR and XF 100-400mm F4.5-5.6 WR have come with me, along with the 2× teleconverter to get me as close as Fujily possible to the indigenous fauna. Since I had the space, I decided to chuck the XF 10-24mm f/4 in for good wide measure.

It’s Heavy

My camera gear selection is as follows:





I haven’t carried this much photographic equipment since the first time I travelled with my D300, when I though it was a good idea to bring everything I owned.4 For such a big trip that has so many different photographic opportunities, it made sense to err on the side of too much, rather than too little.

Perhaps I could have gotten away with leaving the XF 16-55mm f/2.8 WR or XF 10-24mm f/4 at home, but I have used both already, and you’ll note that one lonely lens is missing those two magical initials, “WR.”

My South African family has let me know that, despite the current drought, Cape Town can be quite rainy. This is a place I’m going to want to do some landscape photos. Sure I could get by with my XF 16mm f/1.4 WR, but if I can get myself the flexibility of a zoom lens, I figure I might as well. And that way, if we do find ourselves in heavy rain, I can keep lenses on bodies and not worry about having to change them. Once again, that lack of WR on the XF 10-24mm f/4 is hurting me. Had the 10-24mm been weather sealed, I would have only brought it and not the 16-55mm.

Had I been packing “normally,” three of those lenses and the teleconverter wouldn’t have even seen my bag, but there’s a good chance I won’t be back to South Africa for quite some time, if ever, and since we’re being driven around, I have the luxury of leaving what I don’t need in my hotel room, or on the bus. More often than not, I’m carrying my Billingham Hadley Small.

Additionally, if this was exclusively a “Safari” vacation, at least two lenses could be left out, and maybe even the tripod, depending on the camp.


I decided to keep my green Artisan & Artist strap on my X-Pro2, and affixed the replacement Loop 3 the guys at LumaLabs were kind enough to send after my first one frayed. The Loop is a strap I typically only use during extended periods of shooting like on vacation—for which it is outstanding—so this is a perfect opportunity to double check the strap durability. I’ll update the review post, but so far so good.

Memory Cards

Lexar is sorta scummy when it comes to the transfer speeds they list on their cards. They like to list a really fast read speed, which, when it comes to continuous shooting, is much less important. The write speeds are always much slower until you get up to their 2,000× cards, which are twice as expensive as their 1,000× cards.

Sandisk, on the other hand, has much closer figures for both read and write. The Extreme PRO cards→ that I went with have a listed read speed of 95 MB/s, and a write speed of 90 MB/s. I’ve hit the ceiling on the write speed quite a few times, but not enough for me to worry about spending the money for faster cards, and I've been perfectly content to just switch cameras for a different perspective while the buffer clears on the other. I went for 64GB cards, six in total along with a bunch of older, slower 32GB cards as backup. I seriously doubt I’ll touch those though.


Your attire can often be almost as important as what camera you have. If you’re not comfortable due to the elements, sore feet, or an aching back, you’re much less likely to want to shoot. Quality footwear, and clothing that can keep you comfortable in a broad range of climates are invaluable. My wife and I have a bunch of merino wool clothing, largely from Icebreaker (although I would avoid their T-shirts which a very prone to developing holes),→ which has kept us warm in the frigid winter mornings without getting too hot too fast after the sun comes up.

Another major advantage of merino is it can be worn for days without smelling. This might not sound appealing from a hygiene perspective, but it’s been really nice pulling on a pair of pants or a hoody after sitting around a fire without it reeking of smoke.

In Closing

Well, this post has been in a constant state of revision, from past to present tense, before using any of my equipment to being done nearly all our game drives. I’ll be sure to write more about what I learned from my first safari experience. I hope it won’t be my last.

  1. Under almost all other circumstances, the XF 90mm f/2 WR is the longest, in terms of focal length and physical dimensions, I would typically bring when travelling. ↩︎
  2. A couple years ago, I bought an Osprey Farpoint 55 to use as my only carry-on luggage. This worked great, and I was so happy to not have a wheeled bag to drag behind me over cobblestones in Europe. The key difference there is my X-T1 and XF 10-24mm f/4 was the largest camera combination I had.

    I considered employing the same strategy this time around, but adding in the potential of two large zooms means my camera bag would have consumed almost the entire capacity of the Osprey, making it impossible. ↩︎

  3. We’ve hired a bus to move all 26 of us from place to place. ↩︎
  4. It’s not. Photography kit selection is like design, make it as simple as possible, and no simpler. ↩︎

Prepping for South Africa, Part 2

The response to my Prepping for South Africa post has been incredible. No other blog post on Fuji vs. Fuji has generated so much thoughtful feedback so quickly. I really appreciate it all, and as I catch up on my email, I am seriously rethinking my gear selection yet again. Here’s the latest.

XF 100-400mm

Well, readers are decidedly in favour of me bringing the XF 100-400mm. Tweets, Facebook Messages and emails all say bring it. This prompted me to do a bit of my own reading about the lens, which lead me to this fantastic piece by Daniel J. Cox about mirrorless telephoto zooms. Fuji has an awfully impressive showing.

I certainly won’t mind the chance to do a little testing of my own with a lens like this, but I want to do what’s best for the trip, first and foremost. So, the current plan is to see how things fit once my Airport Essentials arrives. That should help determine just how many zoom lenses I’m going to bring.

XF 50-140mm

Now of course I’m asking myself if I really need the XF 50-140mm f/2.8. In some ways, it could be indispensable. The faster aperture might do wonders during dawn and dusk game park drives. But it’s another big telephoto lens with at least some overlap (depending on which teleconverters I have mounted) to haul around.

It could also necessitate yet another body thanks to…

The Wide Angle

Given how close we could get, there’s no way I can go on a game drive with 50mm being my widest focal length.

Readers also reaffirmed what my research indicates, dust will be a real problem when driving along the dirt roads in the game park, so lens changes are almost certainly going to be impossible. That got me thinking about a lens I don’t think about very often, the XF 16-55mm f/2.8.

One of my big summer comparisons is going to be this lens pitted against primes in its range, but it might just be the perfect companion to one of, if not both of the big zooms. Standard focal range, weather and dust resistant, 77mm filter thread. Suddenly a lens I wasn’t even looking at before is in the running. This trip could be an all red badge affair.

Minimal or Maximal

In truth, when I bought the XF 16-55mm f/2.8, it was with the intention of using it almost exclusively as a travel lens. Visions of trudging through the rainy lakes, dales, and moors of England came to mind. My sole reason for not considering it at first was my desire to travel with as little gear as possible. I wanted to minimize.

I’m now in danger of bringing way more gear than I was hoping. Here are some contending options:

Original Kit

Bodies: X-Pro2, X-T1
Lenses: XF 16mm f/1.4 WR*, XF 35mm f/2 WR, XF 50-140mm f/2.8*

Minimal Zoom Kit

Bodies: X-Pro2, X-T1
Lenses: XF 16mm f/1.4 WR, XF 16-55mm f/2.8*, XF 100-400mm*

I would have a really hard time leaving the XF 35mm f/2 WR behind, and probably won’t, but it’s covered by the XF 16-55mm f/2.8.

Maximal Zoom or “All The Things” Kit

Bodies: X-Pro2, X-T1, another X-T1 or X70/X100T
Lenses: XF 16mm f/1.4 WR, XF 16-55mm f/2.8*, XF 35mm f/2 WR XF 50-140mm f/2.8* XF 100-400mm*

*Denotes gear I’ll bring on the game drives.

Ugh. I really don’t want to have to do this, but if I had both the telephotos along, I feel I would almost have to bring a third body of some kind along to cover the wide end.

Going X70 has the added benefit of my wife having an “adorable little Fuji” at her disposal, but there could be a risk of dust contamination during the game drives, and it means another set of charger/batteries to bring.

Going with a third interchangeable body means I have to actually get a third, weather sealed body. That presents its own set of issues (WAF, space in the bag, batteries, WAF, etc.)


Thanks again so much to everyone who wrote, tweeted and messaged me their feedback. It’s been immensely helpful, and I’ll be sure to post more as I continue to sort this out. I’m hyper aware that this is an awesome problem to have, but the struggle is real, and it continues. More to come.

Prepping for South Africa

As my Twitter followers might know, I’m getting ready for a pretty big trip to South Africa, where I’m fortunate enough to be going on a Safari.1

I’m incredibly excited to have this fantastic photographic opportunity ahead of me, but it has thrown a wrench into my usual travel/packing strategies, in addition to making a couple photographic purchases necessary. I thought it might be of interest to do a bit of a travel diary, which has already been of some help to the process. This post has already been revised a few times as my packing strategies change.


As ever, it’s important to start with a solid foundation. Game reserves present a unique challenge when it comes to keeping your camera steady. Most of what I’ve learned on the topic is from (re-)reading this piece from Thom Hogan, and another more recent piece. A key problem to solve is how to support your camera when you’re in the vehicle. I opted for Really Right Stuff’s new Travel Clamp Kit to affix to the rails of a vehicle like so:

Really Right Stuff’s Travel Clamp Kit with removable Flat Surface Adapters

Really Right Stuff’s Travel Clamp Kit with removable Flat Surface Adapters

It’s a pretty solid piece of equipment and isn’t having any trouble holding my camera steady. I’ll do more of a write-up on this item after my trip.

Thom also advises a monopod, which I considered, but there’s a limit to how much I want to bring when it comes to support, and since I also plan to bring a compact tripod and pocket-sized tripod→ as well. It’s always a balance between wanting to travel with as little as possible while still making sure I have what I need. The game reserve will only take up a few days of our trip after all.

Camera Bodies


Had this trip occurred last year, I would have been perfectly happy to buy a second X-T1 keep my XF 50-140mm f/2.8 glued on one of them (probably with an XF 1.4x Teleconverter attached), and a wide angle lens on the other.

The X-Pro2 presents a bit of a wrinkle. I know I’m going to be constantly juggling whether or not to make the most of my available megapixels, or using the tilt screen of the X-T1. A second X-Pro2 is always a possibility, but I really think I’d notice the lack of a tilt screen when the camera is attached lower than eye level. If only there was a camera that provided the best of both worlds…

Anyhow, I've all but settled on bringing both the X-Pro2 and X-T1. The X-Pro2 is the camera I want with my all the time, and the X-T1 will end up being my “Safari camera.”


I was all set to leave the fixed focal length X100 at home for this trip. The X-Pro2 has resulted in my X100T sitting dormant for the last few months. Then my wife saw the X70 and is seriously considering that as being her camera for the trip as opposed to her iPhone.

I think I’ll try to talk her out of it actually as bringing a fixed focal camera results in a whole second set of batteries and chargers to contend with that might not be worth the hassle.


Another wrinkle, the XF 100-400mm. Thom writes:

In the Serengeti and other parks where you can’t leave the road, you tend to need longer lenses than in the places where you can (e.g. the private reserves in South Africa). I’m going to assume that you’re not going to one of the latter places, as the lens needs there are far less extreme and easier to meet. We’re going to assume the worst case here...

... Thus, we need flexibility and reach. Flexibility means a zoom lens; reach means pixel density.

As it happens, I am going to a private reserve in South Africa, so I was really struggling with whether or not I’m even going to need a lens with as much reach as the XF 100-400mm. That’s a lot of extra lens to pack for me (more on that in a minute) and it has other implications as it relates to things like filters (more on that in a minute too).

Rather than obsess over it, I decided to contact to the actual game park to get a sense of how close they typically get to the animals. They sent back a couple of images for reference:

That’s pretty close!

Close enough that I’m thinking I’ll be able to leave the big lens behind. Traveling with the XF 50-140mm f/2.8 is already going to be new territory for me, but in reality, it isn’t that much larger than the Nikon 24-70mm f/2.8 I used to travel with. Traveling with only a carry-on wasn’t really an option in my DSLR days though.


I have to admit that one of the first things I thought about for this trip was the opportunity for some good astrophotography. Given I managed to capture the Milky Way with my X100S in the country-side of France, South Africa should offer much less light pollution, and even more visible stars. For that, I’ll be bringing along my XF 16mm f/1.4 WR. With its wide angle and fast aperture, I should be able to get some nice exposures.


This is a big family trip, so I’ll also want to document it to some degree, and capture some images while on the streets of Jo’burg, of course. For that, I’ll have my XF 35mm f/2 WR mounted on my X-Pro2.

Cameras In Summary

For now, that’s a total of two bodies, three lenses, a teleconverter, one compact tripod, one pocket-sized tripod, one travel clamp, and a whole whack of batteries.


Despite what Tony Northrup says in his video that starts off like an infomercial,2 filters can still be pretty important tools to photographers, especially those who like to capture things in camera. That’s not to say that I’m against post processing, but as time goes on, I find my desire to sit at a desk is waning rapidly.

If the XF 100-400mm does stay at home, I don’t have any reason to go larger than 72mm with my filters. This is one of the very rare times I’d consider the use of a lens like the XF 100-400mm, and the only other lens Fuji currently makes at 77mm is the XF 16-55mm f/2.8, which hasn’t been mounted on my camera to take photos in almost a year. In all likelihood I’ll stick with the 77mm as the standard, and add additional sizes as needed, and when funds allow.

A notification that the new 77mm X4 CPL and ND filters and step-up rings I ordered from Breakthrough Photography entered the country popped up on my phone just last night. I’m eager to try Breakthrough’s latest release to see how it stacks up.


Here we have the biggest hurdles in two parts:

  1. My collection of bags to date doesn’t accommodate longer lenses well.
  2. I strongly prefer carry-on-only travel.

My carry-on bag of choice is Osprey’s Farpoint 55 (S/M) which is already a couple inches longer than airlines typically allow for carry-on, but I haven’t had a problem with it so far.

My strategy is to pack my camera gear and a few clothing items in the Think Tank Airport Express bag I just ordered—that at least two people agree is the bag to get—and pack it along with the rest of my travel needs in the Osprey, hoping for the best. If I get nabbed on the size of the Osprey, I’ll check it and bring the Think Tank as my official carry-on. This will depend entirely on whether or not I can fit the Airport Express in the main compartment of the Osprey with room to spare or not.

Pre-publish Update

I haven’t received the Think Tank bag yet, but I’m losing confidence that it’s going to fit in my Osprey with much, if any room to spare. I’m now pondering whether or not I can get away only the Airport Express and a “personal item.” I’ll have to do some serious layering on the plane, but if I can sneak an item or two in my wife’s carry-on, it just might work.

Happily, I just received notification that my bag has shipped, so once it arrives I’ll test out a few packing strategies.

Other Considerations

I have as much a bag addiction as any photographer has, and I’d love to get myself a Tom Bihn Aeronaut 45 one of these days. Sadly, I don’t think this is the trip for it. I’d have a hard time getting longer lenses in there, and the lack of a frame like the Osprey has to transfer weight to the hips will be a problem. Mirrorless gear is far from heavy, but it’s still more than just clothes.

To Be Continued…

That’s all for now. I hope to write more as the trip draws nearer and I get all my photographic quandaries sorted.

  1. My new South African family actually mocks us a little when we call it “a Safari.” To them, it’s a “game park” or “game reserve.” ↩︎
  2. Really Tony, a whole minute?

    I honestly can’t believe he’s telling people to just do it all in software to save a whole “100 bucks.” Setting aside the fact that I seem to value my time more than he does, and the enjoyment of the creative process, there are things a polarizing filter can do that software can’t replicate, like reducing reflections from the waxy coating on leaves.

    On top of that, his struggle with the filter is laughable, his water reflection example is horrendous, and the idea that capturing 10s of images instead of one is less time consuming or cost-effective (storage for all those RAW files costs money, after all), is ludicrous.

    I will give him that UV filters are worthless though.