Fuji X-T1 Firmware Update

With the announcement of the Graphite Silver X-T1 and its enhanced feature-set, Fuji has once again done the honourable thing by promising existing owners of the X-T1 a firmware update that will include all these new features. The nicest thing about this announcement is when I heard about the new features, I wasn’t the least bit concerned that my X-T1 was going to be out of date. I knew Fuji would take care of me. I can’t think of another camera company with customers who can feel more at ease.

The upgrade is going to be a big one, with a combination of user-requested features, and some other added niceties. Let’s do a quick rundown with some commentary. One of the features I’m most excited for hasn’t received a lot of press that I’ve seen.

Main Features

Electronic shutter, max speed of 1/32,000 second

This is a big one for me. It’s going to be really nice to not have to worry about neutral density filters in order to shoot my faster lenses wide open, even in broad daylight. I might be even more excited by the silent shutter. I’m occasionally conflicted about whether to bring the X-T1 or X100 with me exclusively because that silent leaf shutter on the X100 is so nice. Soon we’ll be able to take ultra covert pics of unsuspecting street subjects (don’t be creepy) without any concern that the shutter will be heard.

Classic Chrome Film Simulation mode

Some people don’t care about this feature. Others are gushing and hash-tagging about it like there’s no tomorrow. One thing’s for sure, I’m looking forward to testing it out for an extended period of time. I did have some time with it in the X30, but not enough to really gauge if it will become my go-to. I’m still finding new uses for the current Film Simulations, the latest being cranking the Shadow Tone to +2 with PRO Neg. Hi. As I’ve mentioned before on this site, it’s nice that Fuji are being so selective with these Film Simulations and not spamming users with endless presets. I guess it helps when your business model isn’t based on selling presets.

Natural Live View

This would have come in really handy just the other day. I was looking to preserve the highlights in my RAFs while shooting landscapes, but I also wanted to capture a Velvia JPEG. The LCD and resulting photo/histogram would show highlight clipping based on the Velvia Film Simulation, and that resulted in me being much to conservative and underexposing a few images. Natural Live View should give us a more accurate idea of how far we can push things when exposing to the right. Great feature.

“Further Improvements”

1. Direct selection of AF Area

“The update will let users select the focus area using the 4-way controller, without pressing the Fn key.”

Lots of users will be excited for this feature. I would guess that RAF shooters in particular who need frequent fast access to their AF point will love this addition. I say RAF shooters because JPEG shooters likely need at least a couple more controls immediately accessible. This is what I was familiar with in my DSLR days, but after trying it out, I miss being able to use the D-pad for quick access to other features. Perhaps once I have more time with it, and I’m able to move the items I want access to into Q menu I’ll give it another try. For now, focus and recompose is fine for quickly grabbing a shot and when things are slower, I have time to tap the AF selection button.

2. Unlocked AE-L/AF-L buttons

“The function of the AE-L/AF-L button is currently locked, but will be interchangeable, depending on the user’s preference.”

These aren’t buttons I use a whole lot so I can’t say I’m particularly excited about being able to switch them. I probably should have learned to use the AE-L button more given my gripes about how spot metering used to work (more on that below, they fixed it!), but using the AE-L button has always felt somewhat cumbersome for me, and I’m just as happy to go full manual.

When it comes to the AF-L button, Fuji now need to add an option to decouple autofocus from the shutter release so the AF-L button can be used exclusively for acquiring focus, the shutter release button exclusively to release the shutter, without the AF-L button being held. A lot of DSLR owners use their cameras this way, particularly for fast action shooting.

UPDATE: A Fuji vs. Fuji reader wrote in to point out that this can already (mostly) be done.

Menu > Tab #4 > AE/AF-LOCK MODE > set to "AE&AF ON/OFF SWITCH" (default is "ON WHEN PRESSING")

Clearly I need to spend some more time hunting around in the menus. More good, if old news for X-T1 owners, however it still isn’t quite the same as my DSLR days. The difference is in this mode, a second press of the AF-L button doesn’t reacquire focus, rather it merely unlocks the focus, and another press is needed to refocus. It’s debateable whether or not this way of doing it is actually better as I’ve had readers write in to say it is, and others to say it’s not. I’ll leave that for you to decide. For complete decoupling of autofocus from the shutter release, X-T1 owners need to switch to manual focus. More on that in #8.

3. Variable focus area during manual focus

“When working in manual focus mode, the update will enable changing the size of the focus area during Instant AF with the AF-L button.”

A nice addition for manual focus shooters looking to ensure ultra-precise focus on an isolated part of their composition. Again, I can’t say that I struggle with how things are now.

4. Direct selection of Macro mode

“In auto focus mode, the update will enable the Macro function to be turned on or off, without accessing the pop-up menu screen.”

This one is nice. Macro mode is accessible via two quick presses of the Macro button on X-E cameras and the X100(S), but with the advent of user-configurable buttons on the X-T1 and X100T, we lose that functionality. Soon we’ll be able to turn Macro mode on and off with just one button press. This could result in accidental changes to macro mode, but it’s a worthwhile trade-off.

5. Q Menu customization

“To make the Q Menu (used for quick access of frequently-used items) even more efficient, the update will allow its items and layout to be changed to the user’s preference.”

The level of customization offered in Fuji’s cameras now is really impressive. This is something I imagine I’ll leave at the defaults for the most part, and supplement with Function buttons. I don’t want my cameras to operate too differently, and I haven’t heard of these changes reaching back to the X-E2 or X100S yet.

What I was really hoping for, and I’m actually astounded we haven’t got yet, is reversible Q Menu operation. In Western countries, turning the dial to the right should increase the settings effect, whereas turning the dial left should decrease it. As it stands, I’m still constantly having to stop and think about which way to turn the dial to get the setting to change the way I want to. It’s probably the most frustrating part about shooting Fuji cameras for me, and it seems like it would be a fairly simple change.

6. New video frame rates:

“As well as the existing 60fps and 30fps selections, 50fps, 25fps and 24fps options will be available with the update. 50fps and 25fps allow video editing in the PAL regions, such as Europe, without converting the frame rate. 24fps offers a cinema-like view.”

Videographers rejoice! Me? I don’t do video much. I rather configure the record button to behave like another Function button.

7. Manual shooting in Video mode:

“The update will enable ISO sensitivity selection prior to shooting videos, as well as the ability to adjust aperture and shutter speed during movie recording.”

Videographers rejoice! Me? I don’t do… wait. Seriously though, I can’t imagine even attempting to shoot much video without these features. It’s great they’ve been added.

8. Phase Detection AF support for Instant AF

“In Instant AF mode, which is operated by pressing the AF-L button during manual focusing, the update will enable Phase Detection AF, providing faster focusing speeds.”

Even more reason for Fuji to add an option for the shutter release to not trigger autofocus, even without the AF-L button pressed.

UPDATE: See update to item #2, but I’m a little unsure about the whole user experience of this as when a lens with a manual focus collar is mounted, the AF-L button doesn’t do a whole heck of a lot. A complete DSLR-style decoupling of AF from the shutter release button while in autofocus would address this.

9. Interlocking of metering and Focus areas

“Users will be able to interlock the AF area position with the metering area when Spot Metering mode is selected.”

Outside of the lightning fast and silent electronic shutter, this is the feature I’m most looking forward too. This is how Nikon does it and how it should be, in my opinion. Having your AF point and spot metering point independent of each other makes absolutely no sense to me.

10. Expansion of shutter speed in Program Shift mode

“In the current Program Shift mode, the slowest-speed setting is 1/4sec, but this will increase to a maximum of 4secs.”

I haven’t shot in P mode in years, but this strikes me as an odd change. P mode is typically used by novices and is great for people who are just starting out in photography. I started there too. If you’re at the stage of capturing exposures that are 4 seconds in length, you’re likely not a novice any longer and should be fairly comfortable in aperture priority, shutter priority or full manual modes. In any event, if you’re the sort of photographer who likes to set everything but ISO to “A,” you’ll now be able to override the camera-chosen shutter speed to as slow as 4 seconds.


This is shaping up to be a nice upgrade. December is going to feel a little like getting a new camera, and for free. This isn’t a reason why I switched to Fujifilm in the first place—I had no idea they had this firmware strategy—but it’s a big reason why I recommend them. No other camera company adds this kind of functionality to a camera. Most expect you to just buy another camera. I wrote above that I pretty much expected we’d see improvements to the X-T1 like this; that doesn’t mean I don’t appreciate it.

Thanks, Fuji.

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Photokina Day 2 – Capture One 8



In my recent RAW Converter for X-Trans comparison, it quickly became clear that Capture One 7 offered fairly substantial improvements to image quality for X-Trans sensors over other big all-in-one solutions, Lightroom and Aperture. Yesterday, I received an email to inform me that version 8 of Phase One’s software had been announced. Today I sat with a very knowledgeable member of the Phase One team to talk through the changes to Capture One, and what improvements have been made (or will be made) for Fuji shooters specifically.

Improved Catalogues

Catalogues have been improved, but the big deal is full catalogues can be imported from both Aperture and Lightroom. This is great news for Aperture users looking for a place to turn after Apple’s announcement support would be discontinued, and for Lightroom users looking to get more from their RAFs.

The import process is “pretty smart” according to Phase One. Not only will metadata be preserved (ratings, labels, etc.), but some basic editing will also be pulled into Capture One. This includes things like Exposure, Brightness, and Contrast. Local adjustments of course won’t be preserved, nor will adjustments like Clarity and Definition as they don’t have direct equivalents.

It will be interesting to see just how well this import process works, but it’s nice to know something like this is available.


Tethering isn’t supported for Fuji cameras, and there are currently no plans to do so. This is a real shame, but like a lot of items not yet available to Fuji users, if the demand is there, it will happen. If you want tethering in Capture One, let Phase One know. They are listening.

Edge Selection

Edge Selection isn’t supported yet, but they are working on it. Because of the X-Trans sensor, they have to work things like edge selection a little bit differently. It’s good to know it’s in the works.

User Interface

No more crappy menu bar texture! The Phase One dev I talked to didn’t like it either. Overall the UI is much nicer. Cleaner, and without those terrible drop shadows. Very pleased.

Unfortunately full screen mode still doesn’t work the way most people would probably like, but this is another area they are working on, so hopefully we’ll be able to go wide screen and have the panels show always soon.

Shadows and Highlights

These two features have been completely rewritten. When you import a version 7 catalogue, you will be presented with the option to use the new version 8 engine, similar to Lightroom going from 2010 to 2012. Version 8 turns on new algorithms for Shadows and Highlights. The result could be considered as slightly less overall recovery, but the transition between recovered and unrecovered portions of the image are much more natural. This was demonstrated very clearly for me.


A “Natural” clarity method joins “Neutral,”“Classic,” and “Punch.” I haven’t had an opportunity to check out the differences yet.

Local Adjustments

Capture One catches up to Lightroom a bit in this area with the addition of White Balance and Noise Reduction local adjustments, but also adds HDR as a new one. This sounds like it could come it really handy.

Aberration Correction

In previous versions of Capture One, fringing could be “over-corrected,” resulting in grey edges where the fringing was. It can now be scaled back for improved correction.

X-Trans Performance

For now, X-Trans rendering is strictly CPU bound. We won’t get to enjoy the GPU optimizations that DSLR owners will. This might not be so bad for owners of computers that lack a discrete GPU, but Phase One are looking into ways of bringing those optimizations to us. Again, the more they hear users want X-Trans support, the more likely they are to provide it, so let them know.

Fortunately, X-Trans CPU performance has increased in many areas from 1.5x all the way up to 2x.

In general there’s been a lot of recoding on the Mac in particular for optimization, and further stability improvements. So far I’ve found 7 to be really solid, but more stability is always welcome.

Image Quality and Camera Support

There have been overall improvements to image quality for X-Trans and preliminary support for the X30 has also been added.

Missing In Action

I asked about a before and after keyboard shortcut, and it’s still missing. They seem content with the creation of Varients as a history and don’t believe that seeing the image as it appeared at import compared to where the image has been taken is very important. This is a matter of opinion, but the real problem is the Browser must be explicitly selected for one to arrow back and forth between two Varients. I watched the dev search for a faster method, but none existed, so I think it may have sunk in a little that they’re still way behind Lightroom, Aperture, and even Nik in this area. Capture One needs a way to see the Before at all times with one keyboard shortcut.


With all these improvements, and Capture One 7’s already superior demosiacing, it’s getting really difficult to not switch over entirely. I intend to do just that once I get home and can download the update.

Photokina Day 2 – X100T Prelim Review


I wasn’t even certain they had X100T’s on the show floor at first, but I’ve had a good amount of hands-on time with a couple of them, so much so I feel I can draft up the beginnings of an early review, and I had my X100S and X-T1 at the ready for comparison. This is Fuji vs. Fuji after all.

The X100T is all about usability rather than image quality improvements, and from that angle, I’m very excited to have one of these cameras.


Grips and Handling

I love the new cross-hatched focus ring. It is much more grippy than the slotted grip on the X100(S). Big improvement. It also looks cool, for whatever that’s worth.

The hand grip isn’t more substantial, but it certainly feels that way as the rest of the camera is a little less deep. It’s not a dangle-from-your-fingers sort of grip, but it helps your fingers feel more like they have a place to rest.

The finish is also exactly the same as opposed to the new rubberized grip found on the X-T1, and the new X30. I have to say I’m slightly disappointed by this as I really like the finish on the X30. It’s less slippery and more sure in the hand. Plus consistency in the materials would make sense.


Buttons, Dials, Switches

The D-pad buttons are a big improvement in tactile feedback and precision. Placement has also improved with one exception. The View Mode button has been placed above the image review button which is always the top left button on the rear of the camera. I know I’m going to be constantly pressing that button to review images, and wondering what’s going on. Beyond that the placement is great, they are super responsive and every intentional press registers immediately. I thought maybe I’d miss the click-wheel. I don’t. The other nice thing is, despite not having as much room on the back, it doesn’t feel anymore cramped, in fact, it feels roomier. The new button arrangement really helps.

The new exposure compensation dial with ±3EV is nice. Still waiting for exposure bracketing to increase from ±1EV though.

The EVF/OVF switch has gone back to the original X100-style lever since it’s is now bidirectional. More on that in a bit.


Ah, nice and large. My X100S’s EVF looks puny by comparison now.


The live parallax refresh works fantastically well. While manually focusing, it moved as quickly as I needed it to. The frame will also dance around the viewfinder window when set to Continuous AF. Not at pro DSLR pace, but it’s definitely quick enough to help track little ones who might be running around.

The OVF/EVF hybrid is nice. I figured at the very least I would want to keep it on for focus confirmation while in AF mode, but in the samples, I can sometimes see what’s actually in front of the viewfinder ghosted behind the inner EVF, especially if your eye isn’t square with the viewfinder. Perhaps this is something that will be improved with firmware as we near the final release, or it could just be something that needs getting used to. It’s an interesting sensation having the EVF overlaid atop the OVF.

Pushing the viewfinder lever one way toggles the hybrid EVF on and off, the other direction switches entirely to EVF mode.


X-T1 owners will be right at home with this EVF. It’s not as large and seems to lack some contrast compared to the X-T1, but it’s pretty big—larger than the X100S—and refreshes just as quickly as the X-T1’s. Then there’s the rotation of the improved UI.


During my testing, it felt an awful lot like the X-T1, which is what we were expecting. I will be interested to see if it is able to match the X-T1’s night-vision-goggle-like autofocus in extremely low light.

We no have confirmation, however, that the AF system is the same as the one found in the X100S, although “algorithms have been changed a little,” and that could certainly account for faster AF speeds if we use the origingal X100’s firmware 2.0 as reference.

User Interface

Fuji keep refining the UI of their cameras and it keeps getting better. The X100S UI feels older, and it’s evident that some decisions we’re made as a compromise for the lower resolutions displays, both in the EVF, and on the LCD. I really like the “look and feel” of this UI.

Classic Chrome

As mentioned in my X30 review, more quality Film Simulation Modes are always welcome. Zack Arias says he’ll be using Classic Chrome now and nothing else. I’m not willing to go that far, but it will definitely see some use. And it seems we have confirmation that all X100(S) users will soon be able to enjoy Classic Chrome as well.

Conclusion For Now

The X100T is another incremental step, but it’s a large stride in the progress of Fuji’s X100 line. It’s not earth shattering, but the improvements to usability will take the uncanny enjoyment that seems to infect every photographer who uses one, that much higher.

Should you upgrade?

X100 users, no question. If you love what the X100 offered, and you passed on the S, the X100T will be a huge upgrade in every respect from image quality, to user experience all round. For X100S users it’s a little bit different. You could probably make a pretty decent return by selling your X100S, and in that respect, the difference could easily be worthwhile.

I’ll of course be doing an extensive head to head with the X100S so I’ll be getting one, but if I didn’t have this site as an excuse, I’d likely follow my own thinking above and sell my X100S to fund an X100T. I almost think of it as an iPhone upgrade. Could I get by without it? Sure. Would I enjoy the day to day use of the camera, making the cost per day well under a couple of dollars over the course of the next year? Absolutely. Looking forward to getting my own.

Photokina Day 1 – 90mm, 16mm f/1.4, 16-55mm, 50-140mm, Super tele-photo, Zack, and La Roque

One day down, one to go.


We kicked today off with a talk by Zack Arias. He was... Zack. Well, he started out as Zack giving a talk, but soon after it was like reading one of his blog posts, or his book. My wife—who is a decidedly less of a photo nerd than I—also enjoyed Zack’s tips, found him charismatic, and could relate to his approach to street photography.

Zack, sending a shot he took of an audience member to his Instax

Zack, sending a shot he took of an audience member to his Instax

Fuji 50-140mm f/2.8

Next we spent some time at the Fujifilm booth. The hands-on stars of the show were the X-T1 Graphite Edition, and the 50-140mm f/2.8. Sadly, Fuji aren’t ready to let us mount the 50-140mm on our own cameras or put one of our own SD cards in their 50-140mm-mounted X-T1 so we can’t post samples yet, but the build, and image quality I was seeing on the LCD were both exceptional. Autofocus was fast, but slightly inconsistent. I have no doubt this will be remedied by the time the lens goes to production. The lens is large, but it doesn’t feel as front-heavy on the X-T1 as I was expecting. At 995g, it’s 2/3 the weight of Canon or Nikon’s equivalents, and that all-internal focus keeps the overall length consistent.


X-T1 Graphite Edition

The X-T1 Graphite Edition was nice. It’s essentially an X-T1, but in a silvery graphitey colour. It looks pretty cool from the front especially, and Fuji wanted to ensure I knew the graphite coating was a 6-step process with the colour being baked onto the camera, vs. just bare aluminum. Whether that’s worth the premium on price, well, you guys will decide that.

90mm f/2

The 90mm f/2 was on display, behind glass, and sort of tucked away. It is one hefty-looking piece of glass. That lens looks to be around the same length as the 56mm f/1.2, but considerably thicker.

EDIT: After a second viewing, the clear the 90mm is going to be substantially larger. It’s pretty much a proportionally scaled up version of the 56.

I’m looking forward to that lens, but I have a feeling it will really call for the VG-XT1.




Super Tele-Photo Zoom 140-400mm f/4-5.6

Another one behind the glass, but some preliminary specs were revealed. The lens markings say 140-400mm f/4-5.6. I’m told that’s not quite final yet though. The lens is another thick one—this is Fuji’s sumo year I think—but the prototype doesn’t appear longer than the 50-140mm. There is quite a range on it, but I hope they find a way to make it an f/4 constant. There’s something about variable apertures I’m just not into.


16-55mm f/2.8

And finally, Fuji’s standard zoom is still behind glass. This is one A lot of people are most eager for and sadly the release date slipped, but I’d rather they get it right rather than rush it out. Here are some more comparison images. It’s surprising how much larger this lens is compared to the 10-24mm f/4.

Fuji 16-55mm ƒ/2.8

Fuji 16-55mm ƒ/2.8


The 16mm f/1.4

This one was hiding on from me. I didn’t even realize it was behind the glass until the second day. As far as size goes, the 16mm f/1.4 doesn’t appear to be a great deal larger than the 14mm f/2.8, although I think Fuji maybe have been playing a trick on us as in the comparison image below, the 16mm is the only one that doesn’t have its rear cap attached.


One thing that’s extra nice is the focus ring that’s pulled back for manual focus, that reveals the engraved depth of field markings.


Patrick La Roque

After scoping out some other players, we made it back to the Fuji booth in time to see fellow Canadian, Patrick La Roque speak. Patrick is a super nice, down to earth dude whose work I really admire. He spoke about storytelling, and then did a live demo—models and all–that turned out really well.


Other Players

I spent a lot of time checking out the other players of course, but one standout for my readers was Phase One. No joke, I was going to ask Phase One about any updates planned for Capture One when the email announcing version 8 landed on my inbox. Sadly, I couldn’t find anyone who spoke enough English to walk me through the new features, but I’ll try again tomorrow, and will look into updating my Raw Converter comparison once I’m back home.

That’s it for now!

I’ll be back for more tomorrow, but for the most part, I think one day at the show for consumers is plenty. I’m pretty happy to have just the one brand to cover.

Photokina Bound


Fuji vs. Fuji is headed to Photokina!

This year I am fortunate enough to be going to the big show. I hope to do a bit of live reporting from the show floor—and of course, the Fujifilm booth.

Afterwards, we’ll be extending our trip to a couple of weeks in Europe. As a result, Fuji vs. Fuji will be on a bit of a hiatus during that time, as we put our Fuji gear to good use.

Cologne, here we come!


Last year I decided that the local backup strategy I had in place for my photos wasn’t cutting it. Not to mention leaving for vacation with my computer and external hard drive backups “hidden” didn’t leave me feeling particularly at ease. A break-in or fire could have resulted in my gear—and thus, all my photos—being gone forever.

I decided it was time to give Backblaze a try. For those who don’t already know, Backblaze is remote backup for everything that’s on your computer, including any connected external hard drives for $5/month. The price was never an issue; $60 a year for unlimited remote backup, and crazy fast retrieval of my files is a no-brainer. The problem I was faced with was my initial backup, which clocked in at just under 1 terabyte.

I’m not gonna lie, for me it sort of sucked. In Canada, we’re faced with mostly terrible options when it comes to ISPs that have comically low bandwidth caps, and even worse upload speeds. I initially tried to manage my backup to only allow my monthly allotted bandwidth. It was impossible. What I ended up doing was paying for unlimited bandwidth during the time it took for my initial backup to complete. It gets worse. If I dared use the entirety of my puny upload limit of 3 whole MB, my 35MB/second download speed would grind to a halt. This makes absolutely no sense, but that’s what we get for trying to use the service for which we’re paying for legitimate reasons. This meant keeping my upload speed to 1MB or maybe 2MB for the majority of my initial upload. That was painful. The initial backup took well over a month, but that was 100% the fault of my awful ISP, and the fairly large amount of data I had to push upstream. I’ve heard mamy reports of people pushing many times the data I had in well under a week.

Now that my initial back up has completed, Backblaze could not be easier. I don’t even think about it. I leave my max upload speed at around 2MB/second, and take solace in the fact that I have a complete remote backup of all my stuff. I’ve tested the retrieval process a bunch of times, and it works flawlessly. The only minor inconvenience is having to pause my backup on occasion while watching Netflix. That terribly ISP again.

So why am I writing about this? Well, if there’s one thing I know my readers have, it’s photos. Losing all your photos would suck. I also like Backblaze so much that I can recommend them without hesitation. If you’re thinking about getting yourself a remote back up, and you should, consider using a link to my newest affiliate, Backblaze. A full year will probably cost less than your monthly cell phone bill, and I guarantee you will feel better knowing you digital stuff is safe. I know I do.

On Buttons

If the rumours are to be believed, Fuji are doing some interesting differentiating with the button layouts of their cameras. Take the most recent leaked photos of the X100T.1 It appears to have a D-pad that’s very much like the one found on the X-T1, no functions assigned to it via icons. I’ll assume it will be the new and preferable clicky variety. The images of the back of the camera look great to me. Very clean. No more scroll wheel. It will be interesting to know if the toggle has moved to a dial as well.

Now, the just-announced X30 has a D-pad that’s more similar to the X-E2, complete with even more icons delineating their function. Fuji’s consumer-centric cameras tend to all feature this more protruding and icon-laden D-pad whereas cameras like the X-T1, which is decidedly more “professional,” has the customizable and more recessed D-pad.2

It’s interesting to me that the X100 line of cameras is taking on the X-T1 style D-pad and I fully expect the X-Pro1 successor to do the same. This suggests that Fuji slots the X100 into less of a consumer space which coincides with it’s price, and the fact that it’s a fixed focal length. The X30 couldn’t be more targeted at the more casual “consumer” shooter.

If these photos are real, it’s nice to see Fuji bringing consistency to their cameras like this. It makes a lot of sense for them to take no the role as expert with the more consumer-focused cameras and tell the user which buttons do what, but let the more serious shooter make up his or her own mind about how the buttons behave.

  1. I have to say, their poor quality and the fact that the OVF/EVF switch has gone back to how it looked on the X100 (non “S”) makes me question their authenticity a little. EDIT: With the addition of the OVF/EVF hybrid mode, it makes perfect sense for Fuji to go back to the symmetrical viewfinder switch as each direction from middle serves a different purpose.
  2. The X30’s buttons are all fully customizable as well, but Fuji have provided their suggested designation, which is a subtle suggestion that digging into the menus to adjust things is less of a necessity.

The “Best” X-Trans RAW Converter

Perhaps my most fussy article to date, I’m going to great lengths to determine what the “best” RAW converter is for X-Trans sensors. As it stands, I’ve only examined how these applications treat a typical wide angle image shot with a FUJINON XF 14mm ƒ/2.8 on an X-E1. I will add more images as time permits.

See for yourself what the best RAW converter for X-Trans is.